I’ve reviewed other books by Liana Brooks (Fey Lights, and Even Villains Fall in Love) and follow her socks on Twitter, so I was lucky enough last week to get the opportunity to win an ARC of her latest release (HAPPY RELEASE DAY!), The Day Before. I kept telling myself I was only going to read just one more chapter, but in the end, the only reason I took a break at all was because hungry puppies will not countenance a book addiction.
Over the past year, I’ve seen Brooks reference “Jane Doe” periodically (and honestly wasn’t sure that what she was describing in 140-character snippets was exactly my cup of tea), so didn’t know much else about the book when I received the ARC. Given the body in chapter 1, it was evident pretty quickly that this was a mystery. Given the references to clones and legislation about them, it was also obvious that this was a sci-fi story set in the near future, when the U.S. has been absorbed into the Commonwealth of North America. I’m a fan of both genres, so she hooked me quickly with the premise that only certain kinds of bodies are worthy of a murder investigation.
Brooks has taken her world-building to a whole new level with this first installment in her Jane Doe series. I’m completely in love with the fictitious quotes from future selves of characters both in and outside the narrative that start the chapters:
Picture a wave, it crests and collapses without losing anything. There is energy. So much energy! Time is much the same, choice creates energy, the energy crests into a wave of possibility, a thousand iterations rising, but in the end, the water returns to the ocean. The prime iteration is stable. In the end, all possibilities lead to our reality.
The characters, especially Agents Samantha (Sam) Rose and Linsey MacKensie (Mac) of the Commonwealth Bureau of Investigation (CBI), are both flawed as well as people readers will be anxious to get to know over the course of the narrative. Brooks takes on prejudice on multiple levels, with race and clones being the two convenient targets for her characters to have conversations like this one:
A basic Hispanic face, nothing out of the ordinary, but disconcerting in its similarity to what Sam saw in the mirror every morning. She grimaced as the computer added wavy black hair and a dark skin tint. Sam surreptitiously glanced at the ME to see if he was smirking. Both the men stared at her face on the screen without recognition.
“Wetback?” Marrins harrumphed. “Looks like a friend of yours, Rose. You know her?”
“I was born in Toronto, sir, and not all people who look Hispanic actually know each other.”
“She looks familiar,” Marrins said. “Think I saw a whore with that face back in Texas once.”
“Not all Hispanics look alike, sir, but it’s an easy mistake to make. All white people looked the same to me until I took the bureau’s sensitivity course about racial differences in the workplace.” Her commentary sailed over Marrins’s bald head with room to spare.
Everything about the story gripped me–the speculation about the nature of time and personhood, the way the story unfolded, and the world-building. I’m glad the book is available starting today, so more people can enjoy how Brooks has made a successful mash-up of the sci-fi and mystery genres, and I’m very much looking forward to the next two installments in the series. I highly recommend this book to anyone who likes either genre, since the bad-guy reveal is equally balanced between both–and very satisfying to the reader. This is one I’ll be re-reading with particular attention to the chapter introduction quotes and the details that got thrown under the bus as I raced through the narrative to figure out whodunnit.